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Day 11/03/2015

Alberto Giacometti on Being In the World As A Rethinker …*

Alberto Giacometti on Being In the World As A Rethinker ...* | rethinked.org - Photo: Elsa Fridman

Naples, 2014 – Artist Unknown …*

 

I’ve been trying to get up earlier recently and to motivate myself to get out of bed before sunrise, I have made the first hour of my day all about play and reflection. I read books that are just for pleasure, I journal, I drink my coffee unhurriedly, I look out into the darkness and listen to the birds begin to stir while my cat purrs besides me. It’s splendid.

This morning I was reading some interviews with Alberto Giacometti, and found the following passage to express splendidly so many aspects of what it means to be in the world as a rethinker …* From being able to live comfortably with the unknown (and the unknowable); being willing to reconstruct anew one’s understanding each day; questioning one’s assumptions daily without letting ego or fear get in the way; not letting one’s ideas and work become too precious; to being able to appreciate the intrinsic joy and inherent rewards of the process. Hope you will be as inspired by this glimpse into Giacometti’s experience as I am 

I do not work to create beautiful paintings or sculpture. Art is only a means of seeing. No matter what I look at, it all surprises and eludes me, and I’m not too sure of what I see. It is too complex. So, we must try to copy simply in order to begin to realize what we are seeing. It’s as if reality were continually behind curtains that one tears away… but there is always another …always one more. But I have the feeling, or the hope, that I am making progress each day. That is what makes me work, compelled to understand the core of life. And to carry on, knowing that the closer one gets to the goal, the further it retreats. The distance between the model and myself tends to increase continually; the closer I get, the further away it moves. It’s an endless search. Every time I work I am prepared to undo without the slightest hesitation the work done the day before, as each day I feel I am seeing further. Basically I now only work for the sensation I get during the process. And if I am then able to see better, if as I leave I see reality slightly differently, deep down, even if the picture doesn’t make much sense or is ruined, in any event I have won. I have won a new sensation, a sensation I had never experienced before. 

Source: Why Am I A Sculptor? – An Interview with André Parinaud

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